Reflectance was an issue between the two bare walls to the side. In our case the room had the green screen at one end, a wooden closed at the other and a carpet. You don’t want to completely kill reflectance, because going to far the other way can make recordings sound lifeless. The clothes suck up all the reverb, making for that lovely dry recording sound. It’s why so many podcasters record their work inside a closet. The best way to cut down on this is to have dense, soft materials in the room. That’s when sound emanating from a source bounces around the room. Specifically when it comes to reflectance. What’s far more important is the acoustic treatment of the room. That’s a massive, expensive undertaking that we can work around by using microphones that won’t pick up too much external noise and simply editing out issues or filming when things are quieter. We don’t necessarily want to “soundproof” the room. One is the acoustics of the room and the other is your microphone. Viewers will tolerate imperfect visuals, but few things will make someone move on to another video than poor audio. Audio Is Trickyīelieve it or not, the hardest part of making videos in a YouTube studio is getting the audio right. Our subject is completely surrounded by green when framed, so it worked out pretty well. We put some hooks on the wall, attached the screen and now it just rolls down when needed. Instead we found this awesome Elgato green screen that works like a projector screen. Not only is this a pain to light, the maintenance is pretty awful too. That is a screen that goes from the top of the frame onto the floor, so that your subjects can stand on it. Speaking of the chroma key “green screen”, since we are never going to film anyone framed full-length, it would have been pointless to get a green screen with a so-called “infinity drop”. The spotlight lights the subject from the top, the two main lights fill the space with diffuse lights and then the final LED light is used to eliminate some unwanted shadows that result from the two main lights shining on the subject. With two diffuses softbox LED lights, an LED spotlight on the ceiling and then a battery-powered LED light with barn-doors. We actually ended up with a four-light setup. You need a key light, a back light and a fill light. Three-point lighting is the standard for lighting a subject properly. Even the best camera can’t fix bad lighting. Really, even if your camera isn’t all that great, light your subject well and it will look awesome.
#Youtube studio desktop professional#
The most important factor in getting footage that looks professional is YouTube studio lighting.
#Youtube studio desktop how to#
Unless you are planning on doing exactly the same sort of content, you need to think carefully about how your own content style will affect decisions about what gear to get and how to set it up. However, screen recordings or press footage will also be used, as well as scenes filmed outside. We can also use this same space to make some of the B-Roll, using a folding table as a place to demonstrate things.
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